Neil Dawson and the Ornamental Fascination of Sculpture

One of the more prominent New Zealand sculptors is Neil Dawson; a metal-worker of natural geometries and ornamental modernity. Best known for many of his large-scaled monuments, Dawson first gained his artistic progress at the Canterbury University in 1970 where he received his Honorary Diploma of Fine Arts. His teachers; Tom Taylor and Eric Doudney were among some of the famous mentors that gave  Dawson his passion to succeed in the world of aesthetics. Despite a groundbreaking academic journey in Canterbury,  Dawson moved on to acquire a Graduate Diploma in Sculpture  from the Victorian College of the Arts in Melbourne during the latter 70's period.

Dawson is very fond of using techniques that imply some sort of illusion methodology. His wall-hanging and free standing sculptures are often observed to be done with optical patterns such as Moiré. He prefers gaining subject-inspiration from everyday patterned items such as a deck of playing cards and crockery work. Some of Dawson's best works include The Chalice, a huge inverted cone-shaped structure in Cathedral Square, Christchurch (his birthplace), and the Globe, a large scaled sculpture based in Pompidou Centre, Paris. He taught drawing and design classes at Christchurch Polytechnic and was also awarded with the Arts Laureate by the Arts Foundation of New Zealand in 2003.

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Peter Newsome's Clear-Form Glass Assemblage

The contemporary techniques of glass artist; Peter Newsome have been some of the curiosities many artists become fascinated with. Newsome has been a passionate sculptor of glass since the early 1990's and has mastered both traditional glazier and glassworker techniques as well as some adaptive contemporary techniques. His skills allow him to hand-slice layers upon layers sheet glass in precise forms for his assembled compositions. Many of his works resemble organic strands or waves depending on the contortion of his subject. Newsome's background in the glass engineering industry has led him to acquire several original methodologies for practicing original glasswork. He has exhibited several of his sculptures at many international art hubs such as the London Art Fair at Burton's Court, Chelsea and at Newby Hall Sculpture Park, Yorkshire.

 Sculpture by Photography by Gerardus

Newsome employs a sort of ray-like intensity by focusing on the overlapping transparencies of the media. The edges where the glass cuts off into air become patterns when pit against each other in natural light. The artist's ability to materialize designs in three dimensional space is coupled with his capability to imagine the unique transparencies of their compositions as well. Since his popularization in the glass art industry, Newsome has been a well recognized modern sculptor, especially within the communal Chelsea areas.

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An Introduction to Henry Moore : A Timeless Abstract Sculptor

Born on July 30, 1898 in Castleford, West Yorkshire, the English artist Henry Spencer Moore eventually went on to become one of the world's leading creative minds on the theme of abstract sculpture. His monuments of bronze and metals highlight the landscape of several art galleries, museums and sculpture parks across the globe. Moore began his fond interest for sculpture at an early age in his home town. He would constantly be seen playing with modeling clay and carving small designs out of wood. He decided that he wanted to become a great sculptor at the age of 11 when he was introduced to the history of a great sculptor: Michelangelo.

Henry Moore's "Two Piece Reclining Figure"

Photography by Andrew Dunn

 
At school, his talent and interest was fostered by his teachers, who granted him a scholarhip to Castleford Secondary School. His parents however, did not agree with the young man's ambition to pursue a full-time sculpting career, so in time Moore began a career as a teacher at the school he studied in. He also joined the army soon after that. He was one of the youngest participants in the Prince of Wales' Own Civil Service Rifles Regiment, but was injured during a gas attack in the Battle of Cambrai (1917). He eventually found his war-time experience to be beneficial to his career as an artist though. They granted him a way to continue his education and become the first student of sculture at the Leeds College of Art. There he met many famous sculptors and became good friends with many of them. He also won a scholarship to the Royal College of Art in London, where he studied extensively about primitive art and the Victorian style of romanticism in sculpture. Moore later on had a clash with his teacher- his method of carving involved leaving the natural scratchmark and toolmark from carving as part of the piece's finishing. This methodology was too modern for the professors at the college. Despite this, nothing hampered his desire to grow as a modernist sculptor.

Henry Moore's "Reclining Figure"
Photography by Andrew Dunn

Eventually, after spending time via another sculpture grant in Italy. Moore returned to London and became a teacher at the Royal College of Art. There, he married Irina Radetsky, a painting student. They later moved to Hampstead and joined a small groud of modernist artists.

In 1932, Moore became Head of the Sculpture Department at the Chelsea School of Art. Moore and several other sculptors playfully experimented with influences from Surrealism and other art movements, but this was called to a halt at the outbreak of World War II. Moore was commissioned to be a war artist and did several powerful artworks depicting the turmoil going around.  After their home was hit by a bomb, they moved to a place called Hoglands near Hertfordshire. During these years, Moore had a daughter- Mary Moore, named after his mother. His subjects then took a turn towards depicting family life. He later exhibited at the MoMA in New York City. This was followed by several achievements like the International Sculpture Prize at the Venice Biennale, the Companion of Honor (1955) and the Order of Merit (1963). He even turned down knighthood because he thought it might separate him from his place with the local artists.

 

Henry Moore's "Hill Arches"

Photography by John O' Neill

Despite his humility, by the late 1930's Henry Moore overshadowed all other modern sculptors who aspired to reach his level of achievement. He became the "Voice of British Sculpture" and his legacy would then be immortalized like the lasting sculptures he produced during his time.

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